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Born and raised
in In high school he
played in numerous bands and continued to develop his style. After
graduating, he became a member of the Castle Browne Band and immediately
began focusing on original material and playing the club scene three to four
nights a week. In addition to working with the band, he landed a part time
job at After leaving the
Castle Browne Band in the early 80’s, he did a brief stint with Tom
Bleck who was signed to RCA but quickly moved on to join the band, Bricks
Mortar, with Charles Collins, house drummer for Sigma Sound Studios in Phila.
and Michael Tschudin, producer and one time David Bowie keyboardist. The band
was signed to Sutra Records and recorded an EP but eventually recorded their
own album and released it on Zebra Records. Around this time,
John was approached by the Ibanez guitar company and found himself being
featured in an ad campaign for one of their new models in Guitar Player,
Musician, Guitar World and other publications. This relationship grew and he
became a demonstrator of their guitars and effects at the NAMM trade shows,
as well as, the Guitar and Music Expo held at By the late
80’s, John had left Bricks Mortar and formed a power trio known as
Unguided Missile with Angel Resto on bass and Peter Browne on drums, who was
later replaced by Mark Sacco. They played a blues and hard rock style of
music throughout the tri-state area. It was at this same time that John was
picked to host the “Virtuoso Guitar Series” at a top John next formed
a group with Hal Selzer on bass. Adrian Dodz, as it was called, played
relentlessly all over the tri-state area and recorded a CD of hard rocking material
which got the band signed to Epic Records. Years later, the recordings from
this band were picked up by Escape Records and released in Europe and Through all the
years of writing, recording and playing in different bands, John has worked
on many movie scores and recording sessions for other artists in virtually
every style of contemporary music. At the present time he is working at the |
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